“The animal and the human are not just allegorical companions; Darwin showed how close they really are. . . . Martin Kemp shows just how powerful the theme is, and how essential it is to Western traditions of art and science. The animal is used to reveal the human, the human to reveal the animal.”
Edward Rothstein | New York Times
Edward Rothstein | New York Times
Edward Rothstein | New York Times“The animal and the human are not just allegorical companions; Darwin showed how close they really are. . . . Martin Kemp shows just how powerful the theme is, and how essential it is to Western traditions of art and science. The animal is used to reveal the human, the human to reveal the animal.”
Edward Rothstein | New York Times“The animal and the human are not just allegorical companions; Darwin showed how close they really are. . . . Martin Kemp shows just how powerful the theme is, and how essential it is to Western traditions of art and science. The animal is used to reveal the human, the human to reveal the animal.”
Edward Rothstein | New York Times
Edward Rothstein | New York Times“The animal and the human are not just allegorical companions; Darwin showed how close they really are. . . . Martin Kemp shows just how powerful the theme is, and how essential it is to Western traditions of art and science. The animal is used to reveal the human, the human to reveal the animal.”
Edward Rothstein | New York Times
Blind
2011
Photo Etching on Schut Salland Paper
26cm x 30cm
Edition of 3
2011
Photo Etching on Schut Salland Paper
26cm x 30cm
Edition of 3
Hawk
2011
Photo Etching on Schut Salland Paper
26cm x 30cm
Edition of 3
2011
Photo Etching on Schut Salland Paper
26cm x 30cm
Edition of 3
Midst
2011
Collagraph on Schut Salland Paper
26cm x 30cm
Edition of 3
2011
Collagraph on Schut Salland Paper
26cm x 30cm
Edition of 3
Trail
2011
Collograph on Schut Salland Paper
26cm x 30cm
Edition of 3
2011
Collograph on Schut Salland Paper
26cm x 30cm
Edition of 3
